Day 5 has been an absolute delight. We have spent time today in the studio piecing together the duets in Act 2 working on the all-important transitions that add coherence and meaning (sometimes esoteric) to the overall structure of the work. We have spent time filming Acts 1 and 2 in readiness for when we come back to the continuation of it and the completion of Act 3 and ultimately finish the piece ready for production.
What a luxury it is to have R&D time to explore ideas and let the muse guide you in your thoughts and processes – oh to have this more regularly!
Wishing you all a happy weekend, and see you on Monday for more ramblings on Crib.
Good evening everyone.
Day 4 in the studio making my new work for the company, based on the themes in Priestley’s play An Inspector Calls.
The emphasis today was finding the musicality in the sublime The Lark Ascendingcomposed by British composer Ralph Vaughan Williams. Each duet in Act 2 has varying textures and intentions that we explored through music today. We have taken on the sequencing of the chronological order of events as described by Inspector Goole in the play – the resulting duets are stunning. The dancers have made them their own and are really something most special.
Tomorrow sees the last day for R&D An Inspector Calls, more about that next week.
I hope to shoot some film tomorrow to share with you some little snippets. See you then!
Hello again. Today was all about focussing on the remaining duets that I have set which explore the various relationships that the main characters of the play undertake with the victim – Eva/Daisy.
Goole of course points out that each one of the characters has in turn (collectively) contributed to Eva’s suicide. I also needed to set Act 1 soliloquies to the divine Elgar Enigma Variation 10, Nimrod. Take a look at the full score here – Nimrod-from-Enigma-Variations-Full-Score.
The dancers and I looked at simplicity in content for each of the duets, which we felt would be a good ground from which to start weaving together the phrasing of Act 2. I think that Priestley’s point is that we don’t address our guilt until it’s pointed out to us that even our very small negative actions when multiplied by everyone else’s small actions can congregate into a catastrophic effect that only has that effect because it’s multiplied. A bit like the old advert on TV “my one little wrapper won’t do any harm!”
Tomorrow sees the introduction of the sublime The Lark Ascending by Vaughann-Williams
Please join us tomorrow for more Inspector shenanigans…
Day 2 in the studio didn’t disappoint, more super work explored. The images above are from Julian’s notebook, jottings of the things that have come to mind with the task in hand.
Today the dancers recapped on the tasks from yesterday, working on soliloquies.
We later started on the new tasks for Act 2 which involved looking at the relationships that Eva/Daisy had with each of the guilty parties. As we are three dancers (1 male, 2 female) we thought to move away from gender-stereotypicality in some of the duets – we got through 3 out of the 7 possibilities.
Take a little peep here of our dancers working through the task. Don’t forget that you can interact with us by using the speech bubbles on this page.
My new work is based on the underlying themes of JB Priestley’s amazingly progressive but classic play An Inspector Calls.
Catrin, Julian and Georgina began their R&D time in the studio with me today discussing the characters, the historical context, the social background and of course the parity with contemporary society that emanates from the play. As a result, soliloquies were made with each dancer transposing these ideas into moment terms – what a talented bunch!
I’m hoping that each day I can share with you our studio time and would welcome your interaction with us – please use the speech bubbles on this page to tell us your thoughts.
Still very early days, but Day 1 was exceptional, please stay with us.