An Inspector Calls Day 5


Day 5 has been an absolute delight.  We have spent time today in the studio piecing together the duets in Act 2 working on the all-important transitions that add coherence and meaning (sometimes esoteric) to the overall structure of the work.  We have spent time filming Acts 1 and 2 in readiness for when we come back to the continuation of it and the completion of Act 3 and ultimately finish the piece ready for production.
What a luxury it is to have R&D time to explore ideas and let the muse guide you in your thoughts and processes – oh to have this more regularly!

Wishing you all a happy weekend, and see you on Monday for more ramblings on Crib.

sue lewis

An Inspector Calls Day 4

Good evening everyone.
Day 4 in the studio making my new work for the company, based on the themes in Priestley’s play An Inspector Calls.

The emphasis today was finding the musicality in the sublime The Lark Ascending composed by British composer Ralph Vaughan Williams.  Each duet in Act 2 has varying textures and intentions that we explored through music today.  We have taken on the sequencing of the chronological order of events as described by Inspector Goole in the play – the resulting duets are stunning.  The dancers have made them their own and are really something most special.
Tomorrow sees the last day for R&D An Inspector Calls, more about that next week.
I hope to shoot some film tomorrow to share with you some little snippets.  See you then!

sue lewis

 

An Inspector Calls Day 3

an-inspector-calls
Hello again.  Today was all about focussing on the remaining duets that I have set which explore the various relationships that the main characters of the play undertake with the victim – Eva/Daisy.
Goole of course points out that each one of the characters has in turn (collectively) contributed to Eva’s suicide. I also needed to set Act 1 soliloquies to the divine Elgar Enigma Variation 10, Nimrod.  Take a look at the full score here – 
Nimrod-from-Enigma-Variations-Full-Score.

The dancers and I looked at simplicity in content for each of the duets, which we felt would be a good ground from which to start weaving together the phrasing of Act 2. I think that Priestley’s point is that we don’t address our guilt until it’s pointed out to us that even our very small negative actions when multiplied by everyone else’s small actions can congregate into a catastrophic effect that only has that effect because it’s multiplied.  A bit like the old advert on TV “my one little wrapper won’t do any harm!”

Tomorrow sees the introduction of the sublime The Lark Ascending by Vaughann-Williams

Please join us tomorrow for more Inspector shenanigans…

sue lewis

 

An Inspector Calls Day 2

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Dancers notes

Inspector image 1

Dancers notes

Day 2 in the studio didn’t disappoint, more super work explored. The images above are from Julian’s notebook, jottings of the things that have come to mind with the task in hand.
Today the dancers recapped on the tasks from yesterday, working on soliloquies.
We later started on the new tasks for Act 2 which involved looking at the relationships that Eva/Daisy had with each of the guilty parties.  As we are three dancers (1 male, 2 female) we thought to move away from gender-stereotypicality in some of the duets – we got through 3 out of the 7 possibilities.

Take a little peep here of our dancers working through the task.  Don’t forget that you can interact with us by using the speech bubbles on this page.

See you tomorrow …

sue lewis

 

An Inspector Calls Day 1

 

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Georgina

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Julian

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Catrin


And so to another new season at FFIN

My new work is based on the underlying themes of JB Priestley’s amazingly progressive but classic play An Inspector Calls.
Catrin, Julian and Georgina began their R&D time in the studio with me today discussing the characters, the historical context, the social background and of course the parity with contemporary society that emanates from the play.  As a result, soliloquies were made with each dancer transposing these ideas into moment terms – what a talented bunch!

I’m hoping that each day I can share with you our studio time and would welcome your interaction with us – please use the speech bubbles on this page to tell us your thoughts.

Still very early days, but Day 1 was exceptional, please stay with us.

sue lewis

 

Crib, here we go

ffindancepresentsapr18FINALSo here we are at last!  I started making my new work in the studio back in the autumn of 2017 and Crib will see its première this coming Friday at The Beaufort Theatre.
The title needs a little explanation I think.
I started choreographing professionally when I was teaching Dance at Ebbw Vale Senior Comprehensive School and spent many, many happy years working with students, creating work for our annual dance shows.  Together with my own passion for Prince music and that of the students, each show became peppered with tracks like Purple Rain, Sometimes It Snows In April, Nothing Compares To You, Little Red Corvette, Raspberry Beret, 1999 and many more.

Over 21 years we got through a fair amount as you can guess.
It’s most fitting that I return to The Beaufort Theatre as this place holds a very special place in my heart.  It was the first place I performed, the first place I presented amateur choreography, the first place I presented professional choreography and now the company I founded FFIN DANCE has its home there since we took on the asset from Blaenau Gwent County Borough Council back in April 2017.  So coming home to Ebbw Vale is a full circle, with which I’m very happy; it makes me feel like I’m returning to the beginning once more – hence the title

Crib is a tribute to Prince music and also to my past.

I hope that you can come and join me this Friday together with all of our community groups from the ffin dance faktry, together with guest dancers from Tredegar – Kidz R Us.  Tickets are available from the café at The Beaufort or via text 07854 910926

 

Crib gets its premiere at The Beaufort

FFIN DANCE PRESENTS… | FRI 6TH APR, 7PM | THEATRE

ffindancepresentsapr18FINAL

FFIN DANCE presents their brand new work Crib, choreographed by Sue Lewis as a tribute to the late, great PRINCE. As part of this most special evening, the community groups run by the FFIN DANCE FAKTRY will also be showing their work which they have been making since September.

Tickets | £10/£8 concessions, to book call 07854 910926 or 01495 305988, visit Café @ The Beaufort (opening hours below) or arrange tickets with staff during dance classes.

Photo | Paul Trask, copyright of FFIN DANCE

We are auditioning

FFIN DANCE Crib

FFIN DANCE Crib

We are looking for a new dancer, male or female, to join the company for the creation of a new work and future projects. The audition will take place on Saturday 7 April 201812-5pm at The Beaufort Theatre, Beaufort Hill, Ebbw Vale, Gwent, Wales NP23 5QQ.

The audition will involve a contemporary technique class, repertoire from our new work Crib,  a creative session and an opportunity to meet and discuss the role with the company. All dancers will be required for the whole session.

Please note, FFIN DANCE is a project-based company, best suited for self-employed artists. All projects are paid. For more information about the company, including commitment and fees, please email info@ffindance.co.uk
To apply, please email info@ffindance.co.uk with your CV and a link to online video footage of you dancing by 5pm on Friday 16 March 2018. This audition is by invitation only and you will be informed if you have been successful by Saturday 24 March 2018.
You must have a minimum of 3 years professional dance training, excellent contemporary dance technique and creative skills. Experience and a keen interest in teaching and working with community dancers is desirable.

Before applying, it is important to understand that the majority of company rehearsals and activities take place in residence at The Beaufort Theatre, Ebbw Vale. FFIN DANCE is unable to provide accommodation and travel expenses and therefore, this role is best suited to dancers who have a base in South Wales and/or have their own transport.

The philosophy underpinning the work that FFIN DANCE produces is centred around quality and innovation. Artistic Director, Sue Lewis, believes in collaborating with her dancers, and the process of making new work is always challenging and of equal importance as the product. Use of music plays a huge part in the company repertoire, as well as a strong emphasis on physicality and technical virtuosity. Alongside the professional company, FFIN DANCE runs an established education and outreach programme, the FFIN DANCE FAKTRY with a series of regular childrens and youth classes, summer schools, professional intensives and one-off projects with schools and community groups.

If you are interested in seeing the company perform before auditioning, the premiere of our new work Crib will take place at The Beaufort Theatre on Friday 6 April 2018 alongside performances from our community groups. For more information, visit www.ffindance.co.uk/the-beaufort-theatre

www.ffindance.co.uk | Facebook: @ffindancecompany | Twitter: @FFINDANCE | Instagram: ffindance

 

Mae’n ddrwg

Photo of PRINCEIt’s with huge apologies that I write this blog, after what seems like an eternity.  Since the company has taken on the running and management of The Beaufort Theatre in April 2017, my life has been rather taken over with operational things other than writing blogs.

 

Things are at last settling down and we have had an amazing 9 months learning new skills, meeting new people and of course expanding our business.

Next week sees the start of me making my new work with the company dancers: it’s a tribute to the music of one of my favourite artists, the late, great Prince.  Please keep posted for a further insight

We will be looking for another dancer to join us later this spring, keep your eyes open for the advert – it could be you joining our team!
We will also be updating this website and introducing you to a new page dedicated to The Beaufort Theatre.

Hope you join us on our 2018 journeys, happy New Year to you all

sue lewis

 

Edinburgh bound

cropped-ifringebanner.pngWith just over a week to go before the company heads north, there’s a lot of lists to write, packing to be done, rehearsals and all sorts of things to think about.

 

We have been busy writing press releases and organising our marketing for one of the most competitive and exciting fringe festivals in the world.
viragozooMy piece Virago will be programmed by Zoo Venues (The Sanctuary Venue 124 ) from August 13th – 19th at 7.45pm.  Tickets here

 

We have previewed the piece in London and at our base back here in Wales in various forms and guises, the latter being an interactive performance where the audience was invited to be the jury and decide upon Minnie McGuire’s fate: the jury declared her “not guilty”.  The audience joined in with a final reel celebrating Minnie’s innocence.

 

 

 

Some of the audience feedback:
” there but for the grace of God go I!”

“I have no doubt that Virago will go down a storm at The Fringe.  The story is compelling and the interpretation is excellent”

“Brilliant interpretation in dance, well-executed, enjoyed every minute of it.  Good luck in Edinburgh!”

Keep posted for more of our travel news, get the iFringe app on your phone and book into our show, and share our posts.  Many thanks for your support!

sue lewis