An Inspector Calls Day 5


Day 5 has been an absolute delight.  We have spent time today in the studio piecing together the duets in Act 2 working on the all-important transitions that add coherence and meaning (sometimes esoteric) to the overall structure of the work.  We have spent time filming Acts 1 and 2 in readiness for when we come back to the continuation of it and the completion of Act 3 and ultimately finish the piece ready for production.
What a luxury it is to have R&D time to explore ideas and let the muse guide you in your thoughts and processes – oh to have this more regularly!

Wishing you all a happy weekend, and see you on Monday for more ramblings on Crib.

sue lewis

An Inspector Calls Day 4

Good evening everyone.
Day 4 in the studio making my new work for the company, based on the themes in Priestley’s play An Inspector Calls.

The emphasis today was finding the musicality in the sublime The Lark Ascending composed by British composer Ralph Vaughan Williams.  Each duet in Act 2 has varying textures and intentions that we explored through music today.  We have taken on the sequencing of the chronological order of events as described by Inspector Goole in the play – the resulting duets are stunning.  The dancers have made them their own and are really something most special.
Tomorrow sees the last day for R&D An Inspector Calls, more about that next week.
I hope to shoot some film tomorrow to share with you some little snippets.  See you then!

sue lewis

 

An Inspector Calls Day 3

an-inspector-calls
Hello again.  Today was all about focussing on the remaining duets that I have set which explore the various relationships that the main characters of the play undertake with the victim – Eva/Daisy.
Goole of course points out that each one of the characters has in turn (collectively) contributed to Eva’s suicide. I also needed to set Act 1 soliloquies to the divine Elgar Enigma Variation 10, Nimrod.  Take a look at the full score here – 
Nimrod-from-Enigma-Variations-Full-Score.

The dancers and I looked at simplicity in content for each of the duets, which we felt would be a good ground from which to start weaving together the phrasing of Act 2. I think that Priestley’s point is that we don’t address our guilt until it’s pointed out to us that even our very small negative actions when multiplied by everyone else’s small actions can congregate into a catastrophic effect that only has that effect because it’s multiplied.  A bit like the old advert on TV “my one little wrapper won’t do any harm!”

Tomorrow sees the introduction of the sublime The Lark Ascending by Vaughann-Williams

Please join us tomorrow for more Inspector shenanigans…

sue lewis

 

An Inspector Calls Day 2

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Dancers notes

Inspector image 1

Dancers notes

Day 2 in the studio didn’t disappoint, more super work explored. The images above are from Julian’s notebook, jottings of the things that have come to mind with the task in hand.
Today the dancers recapped on the tasks from yesterday, working on soliloquies.
We later started on the new tasks for Act 2 which involved looking at the relationships that Eva/Daisy had with each of the guilty parties.  As we are three dancers (1 male, 2 female) we thought to move away from gender-stereotypicality in some of the duets – we got through 3 out of the 7 possibilities.

Take a little peep here of our dancers working through the task.  Don’t forget that you can interact with us by using the speech bubbles on this page.

See you tomorrow …

sue lewis

 

An Inspector Calls Day 1

 

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Georgina

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Julian

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Catrin


And so to another new season at FFIN

My new work is based on the underlying themes of JB Priestley’s amazingly progressive but classic play An Inspector Calls.
Catrin, Julian and Georgina began their R&D time in the studio with me today discussing the characters, the historical context, the social background and of course the parity with contemporary society that emanates from the play.  As a result, soliloquies were made with each dancer transposing these ideas into moment terms – what a talented bunch!

I’m hoping that each day I can share with you our studio time and would welcome your interaction with us – please use the speech bubbles on this page to tell us your thoughts.

Still very early days, but Day 1 was exceptional, please stay with us.

sue lewis

 

Crib, here we go

ffindancepresentsapr18FINALSo here we are at last!  I started making my new work in the studio back in the autumn of 2017 and Crib will see its première this coming Friday at The Beaufort Theatre.
The title needs a little explanation I think.
I started choreographing professionally when I was teaching Dance at Ebbw Vale Senior Comprehensive School and spent many, many happy years working with students, creating work for our annual dance shows.  Together with my own passion for Prince music and that of the students, each show became peppered with tracks like Purple Rain, Sometimes It Snows In April, Nothing Compares To You, Little Red Corvette, Raspberry Beret, 1999 and many more.

Over 21 years we got through a fair amount as you can guess.
It’s most fitting that I return to The Beaufort Theatre as this place holds a very special place in my heart.  It was the first place I performed, the first place I presented amateur choreography, the first place I presented professional choreography and now the company I founded FFIN DANCE has its home there since we took on the asset from Blaenau Gwent County Borough Council back in April 2017.  So coming home to Ebbw Vale is a full circle, with which I’m very happy; it makes me feel like I’m returning to the beginning once more – hence the title

Crib is a tribute to Prince music and also to my past.

I hope that you can come and join me this Friday together with all of our community groups from the ffin dance faktry, together with guest dancers from Tredegar – Kidz R Us.  Tickets are available from the café at The Beaufort or via text 07854 910926

 

Mae’n ddrwg

Photo of PRINCEIt’s with huge apologies that I write this blog, after what seems like an eternity.  Since the company has taken on the running and management of The Beaufort Theatre in April 2017, my life has been rather taken over with operational things other than writing blogs.

 

Things are at last settling down and we have had an amazing 9 months learning new skills, meeting new people and of course expanding our business.

Next week sees the start of me making my new work with the company dancers: it’s a tribute to the music of one of my favourite artists, the late, great Prince.  Please keep posted for a further insight

We will be looking for another dancer to join us later this spring, keep your eyes open for the advert – it could be you joining our team!
We will also be updating this website and introducing you to a new page dedicated to The Beaufort Theatre.

Hope you join us on our 2018 journeys, happy New Year to you all

sue lewis

 

Edinburgh bound

cropped-ifringebanner.pngWith just over a week to go before the company heads north, there’s a lot of lists to write, packing to be done, rehearsals and all sorts of things to think about.

 

We have been busy writing press releases and organising our marketing for one of the most competitive and exciting fringe festivals in the world.
viragozooMy piece Virago will be programmed by Zoo Venues (The Sanctuary Venue 124 ) from August 13th – 19th at 7.45pm.  Tickets here

 

We have previewed the piece in London and at our base back here in Wales in various forms and guises, the latter being an interactive performance where the audience was invited to be the jury and decide upon Minnie McGuire’s fate: the jury declared her “not guilty”.  The audience joined in with a final reel celebrating Minnie’s innocence.

 

 

 

Some of the audience feedback:
” there but for the grace of God go I!”

“I have no doubt that Virago will go down a storm at The Fringe.  The story is compelling and the interpretation is excellent”

“Brilliant interpretation in dance, well-executed, enjoyed every minute of it.  Good luck in Edinburgh!”

Keep posted for more of our travel news, get the iFringe app on your phone and book into our show, and share our posts.  Many thanks for your support!

sue lewis

 

Emigrated?

beaufortmavenproblackIn my absence from blogging, you may have thought that I had emigrated or left the planet, and in a way I have.
If you’ve been following the company escapades on Twitter and Facebook, you will know that we have moved in to The Beaufort Theatre in Ebbw Vale and taken over the management of the venue from the Borough Council of Blaenau Gwent. We have been there since the beginning of April and our energies have been spent on getting together a full volunteers programme, a rolling programme of community theatre events and of course establishing a café bar opening throughout the day serving the community with excellent food and drinks at competitive prices. Quite a tall order you may say; and yes it has been.

Well, 6 weeks later and we can boast all the above and more.  We have been joined by 2 Volunteers Coordinators,supported by funding from The Coalfields Regeneration Fund – Jocelyn and Sharon, who are building a great team of volunteers to work with us.

Kahve logoWe also have a new Catering and Bar Manager, Bülent Dilek-Karaosmanoglu who has brought his own excellent brand of Turkish and Mediterranean cuisine to our café with the inventive and delicious Kahve Café Bar. Kahve is the proud recipient of the Wales Food Awards Finalist position, opening from 10am-5pm from Monday to Saturday at Kahve @The Beaufort

In addition to this, we have opened our new show Virago at The Met Theatre in Abertillery and  we’re in the process of planning our next shows at Highgate School, London and The Sanctuary with Zoo Venues at the Edinburgh Fringe Festival. Please follow our progress, and we hope you can join us in seeing this most special show.

We have been working with a group of children and young people in Blaenau Gwent with the support of Aneurin Leisure and the Arts Council of Wales in a dance engagement project. Our company dancers, led by Catrin and Julian, have been engaged in a number of intensive workshops, to create a piece of work which opened our performance as a curtain raiser.  We were thrilled with both the process and the end result, some great creativity and commitment demonstrated at every workshop.  The audience was thrilled too.  Well done to all!

We are just about feeling comfy with our developments and the growth of the company and welcome you to our new home.  Please drop by and have a coffee, a drink, a light bite or a lunch with us, you will be sure of a good welcome and excellent quality refreshment.

See you soon….

sue lewis

 

 

 

Finishing off

102-a4Just touching base after what was a very busy and enjoyable week here at FFIN DANCE. The main goal of our most recent week in the studio was to finish the creation period of Sue’s new work Virago. Not only was this achieved but we also had the pleasure of spending an afternoon with the brilliant Paul Trask, our photographer as well as some exciting conversations about the next steps for the company.

The creation of Virago has been a very special and personal process that I believe has brought the company firmly together ahead of our next performances. The story of Minnie McGuire along with the social issues it relates to have really pulled on our heart strings as well as conjured up many different images and thoughts that have inspired our creative work in the studio. The movement feels very honest and physically challenging to dance and that combined with the way Sue has stitched the work together makes for something that I’m sure will be very exciting to watch. Beyond the movement is a variety of different music as well as voiceovers and there will be plenty more to please the eye including our striking set and lighting designs. I think I speak for all the dancers when I say we can’t wait to share it with our existing audiences as well as with new ones!

For the first part of the week we were joined by Rochelle who is on work placement from Trinity Laban Conservatoire of Music and Dance. Rochelle joined us for company class as well as observing our (sometimes chaotic) rehearsal process! With all the current company dancers having spent some of their training at Trinity Laban, it was lovely to welcome Rochelle and we hope she enjoyed her time getting a taste of how a small professional dance company works.

The week was also underpinned by the looming result of our bid to become the new leaseholders of Beaufort Theatre & Ballroom, an exciting prospect that could bring in so many more opportunities for the company and the surrounding community.

Watch this space for more information about all that is FFIN DANCE!

Julian x