Virago’s ready to go

Berry's BarWe have just spent the past week finishing off our new work Virago.  A productive and action-packed week including our new season photo shoot with Paul Trask, a work-placement by a lovely dance student from Trinity Laban Conservatoire, an exciting glimpse at our new logo and marketing strap lines designed by company dancer Julian and of course the underlying tension of just under a week to go before we hear about our bid for Beaufort Theatre.
I’m thrilled with Virago, it’s a tale of social injustice: although inspired by Minnie McGuire the most arrested woman in Victorian Wales, its social issues are as relevant today as back then.

 

Threaded through the work are references to the Irish Holocaust, extreme poverty in Ireland and Wales, alcohol abuse, immigration and prostitution.

We are most fortunate to be working alongside author John F Wake whose book The Cruel Streets Revisited has inspired Virago, and who has written the lyrics for the cover song for our work.

The song is composed and performed by Lorraine King especially for us, we hope you love it as much as we do.

So, on to another week, hoping to hear that we have become the new lease holders of The Beaufort Theatre and Ballroom.  More news soon.

sue lewis

 

 

Power of 3 Preening…

IMG_0506Tuesday was photo shoot day with Paul Trask in the Ffin Dance studios so there was an unusual amount of preening going on! Having helpfully been sent YouTube tutorials by Sue, we donned the smoky eye look and then set about creating some sleek up-dos with our hair. Let it be noted here that despite having had Meg as a personal hairdresser on tour for the last couple of tours, I was in demand when it came to styling Tash and Cat’s hair!

With hair and make-up up to standard, we danced various sections from both Fascination and D-Cay to capture some images for our marketing material for The Power of 3 Tour coming up in 2015. Due to the nature of the photos being taken and the flash that was being used, we were quite restricted in the amount of space we had to dance in – being limited to only a quarter of the stage space.

Throughout the day, we had a chance to look at the photos on the camera after we’d run a short section which helped to inform our placement and direction before repeating the process. It’s also interesting for us to see those ‘in between’ and transitional moments caught on camera – sometimes it’s rather difficult to figure out from what physical material the moment has been captured!

So there you have it – a quick little insight into our flashy photo day…keep a look out for the new shots hitting your screens on the Ffin website, twitter and facebook pages!

Effie :-)