An Inspector Calls Day 5


Day 5 has been an absolute delight.  We have spent time today in the studio piecing together the duets in Act 2 working on the all-important transitions that add coherence and meaning (sometimes esoteric) to the overall structure of the work.  We have spent time filming Acts 1 and 2 in readiness for when we come back to the continuation of it and the completion of Act 3 and ultimately finish the piece ready for production.
What a luxury it is to have R&D time to explore ideas and let the muse guide you in your thoughts and processes – oh to have this more regularly!

Wishing you all a happy weekend, and see you on Monday for more ramblings on Crib.

sue lewis

An Inspector Calls Day 3

an-inspector-calls
Hello again.  Today was all about focussing on the remaining duets that I have set which explore the various relationships that the main characters of the play undertake with the victim – Eva/Daisy.
Goole of course points out that each one of the characters has in turn (collectively) contributed to Eva’s suicide. I also needed to set Act 1 soliloquies to the divine Elgar Enigma Variation 10, Nimrod.  Take a look at the full score here – 
Nimrod-from-Enigma-Variations-Full-Score.

The dancers and I looked at simplicity in content for each of the duets, which we felt would be a good ground from which to start weaving together the phrasing of Act 2. I think that Priestley’s point is that we don’t address our guilt until it’s pointed out to us that even our very small negative actions when multiplied by everyone else’s small actions can congregate into a catastrophic effect that only has that effect because it’s multiplied.  A bit like the old advert on TV “my one little wrapper won’t do any harm!”

Tomorrow sees the introduction of the sublime The Lark Ascending by Vaughann-Williams

Please join us tomorrow for more Inspector shenanigans…

sue lewis

 

An Inspector Calls Day 2

inpsecotr image 2

Dancers notes

Inspector image 1

Dancers notes

Day 2 in the studio didn’t disappoint, more super work explored. The images above are from Julian’s notebook, jottings of the things that have come to mind with the task in hand.
Today the dancers recapped on the tasks from yesterday, working on soliloquies.
We later started on the new tasks for Act 2 which involved looking at the relationships that Eva/Daisy had with each of the guilty parties.  As we are three dancers (1 male, 2 female) we thought to move away from gender-stereotypicality in some of the duets – we got through 3 out of the 7 possibilities.

Take a little peep here of our dancers working through the task.  Don’t forget that you can interact with us by using the speech bubbles on this page.

See you tomorrow …

sue lewis

 

Gearing up for opening night

IMG_3713As we gear up for our première at our home theatre The Metropole in Abertillery, the company pops in some last minute rehearsals for t e n Tour 2016

Sue, Natasha, Effie, Julian and I are excited to be sharing the new repertoire with you all this year, as it marks the company’s 10th year anniversary, hence the name of the show t e n
A special occiasion wouldn’t you agree…?

 

Effie biog pic 2I would like to take this opportunity to say how lucky I have been to share the stage with the beautiful Effie since joining the company in 2014.  This is her last season with us and we wish her all the happiness and success she truly deserves in her next chapter!

We head down to Wales next week to hold workshops in the community with our partner organisations Toppers Dance and Aneurin Leisure Trust, and with our our gorgeous young dancers of the ffin dance faktry and ffin youth, and we do hope you can join us for our opening night on Friday 20th May.  Tickets are £8, £6 concessions and can be booked on 01495 355800 or by texting 07854 910926

In the meantime, enjoy the sunshine.
Much love Cat x

New company dancer – part 2

523238_10151376905219344_497662062_nYou join me after the end of a jam-packed first week with the company. We have started working on Sue’s new work for next year’s tour, True as well as rehearsing the current triple bill, The Power of 3, for the performance at Bedwellty House & Park in Tredegar and this coming Friday in London.

As a new dancer, I have been included in Catrin’s work, d-cay and have learnt a couple of sections for these performances. From my perspective, it has been the perfect balance to learning some repertoire and jumping straight into the performance mode but to also take a back seat during the other 2 pieces and appreciate the performances of my fellow dancers. It is inspirational to see how refined and ‘in-the-body’ the existing work is on the other 3 dancers and it fills me with energy as we move on to the new work. This week also saw the first Desire to Dance project in which we created a new piece on students from Tredegar Comprehensive School in only 2 sessions to then be performed on the Friday evening. The project was a great success and it filled all members of the FFIN DANCE team with immense satisfaction to see how much was achieved by every individual in such an intense process. Well done all!

Until next time… and if you’re in the London area this Friday, don’t forget to book your tickets to see the current triple bill (The Power of 3) as well as a guest performance from Vision Youth Dance Company (Highgate School).
Venue: St Paul’s Community Centre, Marylebone. Tickets are £10, call or text 07854 910926.

See you there.
Julian

True

Weibertreue

Weibertreue

With just over a week to go, I’d like to share the thinking behind my new work for the company – True
It’s a quartet for the whole  company very loosely based on the German folk tale of Weibertreue. At Weinsberg, in Württemberg, on the summit of a hill, remain the ruins of a castle; which is also known by the name of “Weibertreue,” or “Woman’s Faith.” During the Guelph and Ghibelline wars the castle was besieged in 1140  by the Emperor Conrad III., who, in his exasperation at the protracted resistance made by the garrison, vowed to put all the men to the sword, but promised to spare the lives of the women, with the engagement, moreover, that each should be permitted to carry out along with her, her most choice treasure.  “The good women were beside themselves with sorrow that their husbands and children were to be burned alive. Therefore they took counsel with one another and decided that each woman would take her husband and children onto her back and carry them outside the city.  They did just that; each woman took her husband onto her back and her children under her arms and carried them outside the city.

Now the chronicle tells us that when the conquering lord saw this, tears came to his eyes, and he spared the lives of everyone and set the city free as well” *

It’s lovely tale of virtue and cunning.  I’ll be setting this to some exquisite Medieval dance music, which will structure the dance into episodes.  As those who know my work well, the music is the driving force behind my choreography rather than narrative, and I’m very much looking forward to getting into the studio with our 4 dancers who are all exceptional at picking up on musical form and dynamic.  However structure and form aside, there will also be humour and wit involved, making this piece come alive from the pages of history and folklore.

I hope you join us on our True journey
sue lewis

*Source: Martin Montanus, “Ein statt würt gewunnen, daraus die weyber ihre mann und kinder tragen,” Schwankbücher (1557-1566), edited by Johannes Bolte (Tübingen: Gedruckt für den literarischen Verein in Stuttgart, 1899), 80, pp. 341-42.

 

Ich bin ein tanzer

The Power Of 3 Tour 2015 continues…
After many delays and hours of travel, we find ourselves stepping into a beautiful castle. To me it feels like I am staying in a museum; art everywhere and interesting design and architectural features
The tour is offering a wonderful balance of dance and relaxation, it feels completely backwards to be on the receiving end of hospitality and service from the Princess and her family instead of offering it.  They are all so kind and it’s wonderful being welcomed into their home.imageimage
Our “stage” is the mirrored ballroom of the castle – spinning around the room and being able to catch a glimpse of yourself is magical, indeed everything about this place keeps surprising us with magical moments.
We have reworked Gary’s piece from duet to trio. The movement hasn’t changed but it has altered the relationships between the three of us in the space. It’s interesting as it leaves room imagefor doubt, but also a nice sense of ownership as we have the choice and ability to change the state by simply walking into the space or not. I think Gary has some surprises to put into action for the performance, a sense of the unknown. That’s quite an exciting concept to look forward to.
Sue’s piece feels different from before, not only because we’ve altered the spacing to work within he round, but also because the space is so vast it allows me to regain a sense of the freedom which I had in creating the work. The space is so big and I have room to push the boundaries and travel which is something which has always driven my movement.
I really look forward to the performance and the rest of my time here in Namedy.

But for now I’m going to continue sunbathing (like in Picasso’s Three Bathers) by the Rhine.

 

 

Natasha x

 

Power Of 3 Tour 2015 starts soon

Première of Power Of 3 Tour 2015

Première of Power Of 3 Tour 2015

Today marks the start of the marketing of our new show The Power Of 3.  To celebrate with us, we thought that we would let you in on a preview of the animated film that will be part of Catrin’s new piece d-cay.  You can read a little more about d-cay by following this link.

We open the show at our home theatre, The Met in Abertillery, South Wales UK on Friday May 8th at 7.30pm, you can get tickets from the box office by calling 01495 355800 or follow this online link 

We would love to hear what you think, please use the speech bubble above with your comments.

Wibbly-wobbly, timey-wimey…

Fascination Image Paul Trask Chor Sue Lewis

Fascination
Image Paul Trask
Chor Sue Lewis

It’s always the way with studio time – it seems that you can blink and suddenly you’re nearly at the end of 2 weeks together. Having said that, I feel like these 2 weeks have really allowed us some time and space to progress both Fascination and d-cay, and given us a good dollop of preparation time for beginning work with Gary next week. (Plus a handy helping of pancakes thrown in for good measure!)

With Fascination, we spent last week working through section by section – refining detail and quality and looking at all of those pesky entrances, exits and transitions between sections. This has helped in establishing a sense of cohesion throughout the piece which we pulled together for a run through this afternoon.

This week also saw us getting a first viewing of the film that has been made in conjunction with Catrin’s piece, d-cay. It’s a very striking watch which will lead into the live movement section of the piece. Having seen the film has also influenced the proximity with which we perform a particular unison section – there’s no room for error or else there’ll be a whole lot of stepping on toes going on!

For Gary, we have begun using the duet Sentient Trace which was created for Meg and Catrin last season as starting point. We are now looking at each person’s role in the duet as solo material – it has certainly been a lot of material to take on board and commit to memory. We have tried several different methods of learning the material – initially from video, then from each other with talking and then just with physical demonstrations without vocal explanations. It has been lovely to devote time to this (although frustrating at times when watching the same moment on video over and over until you can approximate a physical realisation) and I’m excited to see how things start to proceed when we come together with Gary next week.

Here’s to making the most of our last couple of studio days in Wales this week and appreciating our time together while we have it.

Effie :-)

Authentic and original

Fascination FFIN DANCE Chor: Sue Lewis

Fascination
FFIN DANCE
Chor: Sue Lewis

A productive and exciting week as the company and I distribute morning classes and solid movement practice throughout.

As previously said by Sue, we once more familiarise ourselves with Fascination to proceed forward under Sue’s direction. “Retaining information”- an important skill involving focus, discipline and familiarity that project based dancers constantly battle with. My experience with this tool grows stronger as I myself take notes on how the other dancers reconnect with the piece accordingly. Having always been fortunate with a good memory, I often leave myself unchallenged in the studio. Thus this seasons artwork and war history keeps a watchful eye on us all!  Images and landscape prints being available to us as we drift through D-cay and Fascination.

Effie, Natasha and I would especially like to thank Sue for her sincere patience and understanding towards Gary’s devised work Sentient Trace. A piece that needs exploration, honesty and an opinion! Having performed in the duet last season, I am keen for the girls to capture the essence and quality of the structured tasks. We continue to select the authenticity and originality of the human body next week…

Once again the weekend flies by and we are all one day closer to pancake day. Professional class will be running next week at The Met so please don’t hesitate to contact me if you would like to participate. My email is lewispochin@hotmail.co.uk

Stay safe, Cat. x