Authentic and original

Fascination FFIN DANCE Chor: Sue Lewis

Fascination
FFIN DANCE
Chor: Sue Lewis

A productive and exciting week as the company and I distribute morning classes and solid movement practice throughout.

As previously said by Sue, we once more familiarise ourselves with Fascination to proceed forward under Sue’s direction. “Retaining information”- an important skill involving focus, discipline and familiarity that project based dancers constantly battle with. My experience with this tool grows stronger as I myself take notes on how the other dancers reconnect with the piece accordingly. Having always been fortunate with a good memory, I often leave myself unchallenged in the studio. Thus this seasons artwork and war history keeps a watchful eye on us all!  Images and landscape prints being available to us as we drift through D-cay and Fascination.

Effie, Natasha and I would especially like to thank Sue for her sincere patience and understanding towards Gary’s devised work Sentient Trace. A piece that needs exploration, honesty and an opinion! Having performed in the duet last season, I am keen for the girls to capture the essence and quality of the structured tasks. We continue to select the authenticity and originality of the human body next week…

Once again the weekend flies by and we are all one day closer to pancake day. Professional class will be running next week at The Met so please don’t hesitate to contact me if you would like to participate. My email is lewispochin@hotmail.co.uk

Stay safe, Cat. x

Popping in some paint

D-cay Image Paul Trask

D-cay
Image Paul Trask

With advent moving closer towards us, I thought to write a wee blog for the Ffin followers amongst you. Yes, November has been a long one, nevertheless, the company has seen some great progress and involvement with bookings, collaborations and feedback etc. Our Artistic Director Sue and photographer Paul Trask have been putting in the hours to deliver some marvelous marketing material for the season as the dancers and I sit back to wait and see who’s made the perfect “poster pose”! You can see some of the images for D-cay in the gallery sometime later this week.

Working on the practical section of D-cay with Natasha and Effie was an absolute joy! It’s always a cracking feeling when folk recognize your trail of thought during studio time. The dancers work both together and independently for each section, welcoming any disruptions from a spoken text sound score. We introduced sensations getting lost to extremes that measure up to no other feeling. Now having an outline to D-cay it is essentially a case of popping in some paint to really stress the initial idea.

With footage soon to be at hand, my collaborator, film editor and research junky Jose Macabra prepares to figure out order, placement and lighting specs. Remarkably exciting times ahead!
Thanks for reading all and have a lovely week.

Cat

That was the week

PabloPicasso-Three-Women-at-the-Spring-1921_grandeSo that’s the first studio week over creating my new work for the company – Fascination.

I’m working with a trio of women, Effie, Catrin and Natasha examining some of Picasso’s paintings and why he used three figures in his work so much.

I’ve been astounded at the dancers’ response to the tasks that I have set them: such depth of understanding from tiny intricate details to larger more general pictorial representation.

Many choreographers dislike working with 3 dancers, thinking that the numerical variations possible with 3 can be limiting, but I personally love it1 I adore the asymmetry, the lop-sided qualities, the angles, the relationships, the patterns and so on and on.

And then on to my role – the manipulation of material.

Already starting to structure (just can’t help myself ), I have a very clear vision of where the piece will go. My last work for the company – Fractal – was a series of solos that unfolded as episodes, with occasional groupings thrown in for good measure. Fascination doesn’t work in that way: the sections are governed by the score as in Fractal, but each scene varies from the previous and subsequent one. Today we are working on 5 separate vignettes, inspired by Picasso’s Three Bathers including a trio, 2 solos and 2 duets that will be performed concurrently.

It’s been a most rewarding and exciting week, hope the dancers think so too!

Join us next week as we continue our work with Picasso

sue lewis