Hope you can make it along to our show as part of Donald Hutera’s Women GoLive Oxford 2016. We perform at The Old Fire Station in Oxford on July 15th (Memoir and Duetti) and 16th (Memoir and True)
As we gear up for our première at our home theatre The Metropole in Abertillery, the company pops in some last minute rehearsals for t e n Tour 2016
Sue, Natasha, Effie, Julian and I are excited to be sharing the new repertoire with you all this year, as it marks the company’s 10th year anniversary, hence the name of the show t e n
A special occiasion wouldn’t you agree…?
I would like to take this opportunity to say how lucky I have been to share the stage with the beautiful Effie since joining the company in 2014. This is her last season with us and we wish her all the happiness and success she truly deserves in her next chapter!
We head down to Wales next week to hold workshops in the community with our partner organisations Toppers Dance and Aneurin Leisure Trust, and with our our gorgeous young dancers of the ffin dance faktry and ffin youth, and we do hope you can join us for our opening night on Friday 20th May. Tickets are £8, £6 concessions and can be booked on 01495 355800 or by texting 07854 910926
In the meantime, enjoy the sunshine.
Much love Cat x
It is one thing to work the body, but when your mind is working equally hard, it becomes exhausting. All of the company seems to be feeling the strain, however the moments of joy come from dedicated repetition and embodiment. It’s such a pleasure to dance with such a dedicated group of people and that gives me great inspiration.
With new roles within the company, there is a clarity which has given birth to new life and what feels like the start of a new journey.
With just a month to go before our première at The Met, rehearsals of Duetti and True are really challenging our technical ability; unforgiving movement tearing up our feet as we push on to grasp the many tours en l’air (360 jumps) and the constant play of levels, I can’t help but feel both anticipation and excitement.
Hope you can join us for t e n Tour 2016
The company started back in the studio in February 2016 and started our new year with 2 weeks rehearsing my new work True and also re-working my 2008 piece Duetti.
It was a very odd journey going back in time to the early days of our company life as so much water has gone under the bridge since then, and the company has come so far. We celebrate our ten years as a company this year and it seemed right somehow to bring one of my older pieces back for the season.
In addition to these two pieces, we are also presenting work that is a joint collaboration between our company dancers Catrin and Julian. A duet called Memoir which takes the form of an autobiographical journey which promises to be funny, sad, happy, poignant, and everything else in between. The dancers have been in the studio this week making the first steps to choreographing the work.
Here’s a little preview
Catrin and Julian are also performing with Traceworks very soon at the Swallowsfeet Dance Festival in Brighton, catch them if you can.
More details to follow with our t e n Tour 2016 we hope you’ll tune in.
In just a week, our company dancers are all back in the studio, and we can now share the content of our new triple bill line up. We started work on my new piece True back in the Autumn of 2015, and we’ll be just finishing off this delightful quartet for the full company next week.
The second piece is a New Work, that’s a collaboration between myself and 2 of our company dancers Catrin and Julian. Performed as a duet, it will be very much a reflection of the 2 dancers and their personalities. Watch this space over the coming weeks for more blogs and tweets.
And to complete the bill will be Duetti, which I made for the company back in 2008. Accompanied by the haunting songs of Björk, Duetti is as the name implies, a series of duets. Sometimes working with the songs and other times existing as 2 separate elements, the dancers execute lyrical duets.
The organic nature of the songs from Medúlla refer to the purest essence of something and explore the ritual power of the voice in a way that’s primal and elaborate. Several of the songs are sung in Icelandic, which work particularly well with movement. The rolling r’s, guttural stops and elongated vowels reflect the alternately chopped and soaring arrangements behind them.
Unfettered sensuality winds through the songs, with Björk’s voice being miked very closely giving the sense of listening to her from inside her larynx. I was originally inspired by the landscape of Northern Tuscany, when I created the duets: often jagged but occasionally silky and always stunning, the duets unfold in a seamless and intricate order, each one developing from its predecessor.
Described by an audience member at Chisenhale in 2008 – “DV8 meets Matz Ek”
As always we will be posting blogs and tweeting our studio experiences, hope that you’ll join us in our conversations.
You join me after the end of a jam-packed first week with the company. We have started working on Sue’s new work for next year’s tour, True as well as rehearsing the current triple bill, The Power of 3, for the performance at Bedwellty House & Park in Tredegar and this coming Friday in London.
As a new dancer, I have been included in Catrin’s work, d-cay and have learnt a couple of sections for these performances. From my perspective, it has been the perfect balance to learning some repertoire and jumping straight into the performance mode but to also take a back seat during the other 2 pieces and appreciate the performances of my fellow dancers. It is inspirational to see how refined and ‘in-the-body’ the existing work is on the other 3 dancers and it fills me with energy as we move on to the new work. This week also saw the first Desire to Dance project in which we created a new piece on students from Tredegar Comprehensive School in only 2 sessions to then be performed on the Friday evening. The project was a great success and it filled all members of the FFIN DANCE team with immense satisfaction to see how much was achieved by every individual in such an intense process. Well done all!
Until next time… and if you’re in the London area this Friday, don’t forget to book your tickets to see the current triple bill (The Power of 3) as well as a guest performance from Vision Youth Dance Company (Highgate School).
Venue: St Paul’s Community Centre, Marylebone. Tickets are £10, call or text 07854 910926.
See you there.
Hello all, this is my first blog post as a new company member of FFIN DANCE.
I was delighted to be offered the role of company dancer back in August and feel especially privileged to be joining the company ahead of the 10th anniversary next year. My first encounter with the company was back in 2012 when I participated in the professional Easter intensive and performed in a new piece, Homage to Cello, as part of the Easter Dance Faktry Festival. I thoroughly enjoyed the taster of Sue’s detailed choreographic style, the connections to the music and how she allowed each dancer to play to their strengths in the work. I was encouraged to apply for this opportunity by fellow company dancer, Catrin Lewis, with whom I was in the same year of study at Trinity Laban Conservatoire of Music and Dance.
My working relationship with Catrin began this same year, performing in each other’s choreographies as well as sharing the Laban stage in a commissioned work by Kerry Nicholls in 2013.
Catrin continued to keep me in the loop with all the goings-on at FFIN DANCE when she officially joined the company upon her graduation. I also maintained contact with Sue, informing her of my own professional development as I toured with EDge, the postgraduate performance company at London Contemporary Dance School. This contact sustained my interest in the company and in February 2014 I made a trip to The Met in Abertillery to join company class. I was then offered to shadow some of the company rehearsals with Gary Lambert and in July joined Catrin as a teacher on the Blaenau Gwent Senior Summer Dance School. As a new company dancer, I am full of excitement as to what the coming year will have in store. I look forward to the studio research and all of the creative outcomes and challenges it will bring. I also can’t wait to perform and share our work with a variety of audiences in different locations. I’m hopeful that I’ll offer a new flavour to what is already a dynamic group of professional dancers.
With just over a week to go, I’d like to share the thinking behind my new work for the company – True
It’s a quartet for the whole company very loosely based on the German folk tale of Weibertreue. At Weinsberg, in Württemberg, on the summit of a hill, remain the ruins of a castle; which is also known by the name of “Weibertreue,” or “Woman’s Faith.” During the Guelph and Ghibelline wars the castle was besieged in 1140 by the Emperor Conrad III., who, in his exasperation at the protracted resistance made by the garrison, vowed to put all the men to the sword, but promised to spare the lives of the women, with the engagement, moreover, that each should be permitted to carry out along with her, her most choice treasure. “The good women were beside themselves with sorrow that their husbands and children were to be burned alive. Therefore they took counsel with one another and decided that each woman would take her husband and children onto her back and carry them outside the city. They did just that; each woman took her husband onto her back and her children under her arms and carried them outside the city.
Now the chronicle tells us that when the conquering lord saw this, tears came to his eyes, and he spared the lives of everyone and set the city free as well” *
It’s lovely tale of virtue and cunning. I’ll be setting this to some exquisite Medieval dance music, which will structure the dance into episodes. As those who know my work well, the music is the driving force behind my choreography rather than narrative, and I’m very much looking forward to getting into the studio with our 4 dancers who are all exceptional at picking up on musical form and dynamic. However structure and form aside, there will also be humour and wit involved, making this piece come alive from the pages of history and folklore.
I hope you join us on our True journey
*Source: Martin Montanus, “Ein statt würt gewunnen, daraus die weyber ihre mann und kinder tragen,” Schwankbücher (1557-1566), edited by Johannes Bolte (Tübingen: Gedruckt für den literarischen Verein in Stuttgart, 1899), 80, pp. 341-42.
Hello to all. Hopefully, you managed to have an excellent summer filled with glitter and sparkle, my absolute favourite time of year BY FAR!! As we draw to the end of sunny festival season, I thought it would be an appropriate time to check in with a blog.
The autumn period is looking rather busy for the company with rehearsals for new works, curtain raisers and performances in Wales/London. Those of you that follow us on social media will know that our project Desire To Dance will be an evening showcase where FFIN DANCE shares a new dance work created for students at Tredegar Comprehensive School together with a performance of The Power Of 3. A wonderful opportunity for those that could not make last season’s performances. A great setting at Bedwellty House in Tredegar, with an opportunity to book a pre-show or post-show dinner in the new bistro – of course, wherever Sue is involved there is Tapas and wine ;-)….
As a company dancer, I am excited for the new dynamic Julian Lewis will bring into the company. The girls and I have had a wonderful year at FFIN DANCE, both on and off stage and we can’t wait to see what this season has to offer. I would like to take this opportunity to welcome Julian into our Ffin family of 2015.
Do keep an eye on our Facebook and Twitter pages as London tickets are selling fast. Be sure not to miss out!!
Chat soon. Cat x
Hope that you can join us in Germany this weekend: