Women GOLive

FFIN DANCE Image Paul Trask

FFIN DANCE
Image Paul Trask

The next performance of our current tour - t e n – takes place this coming week at Oxford’s Old Fire Station Arts Centre.
Women GOLive is curated by Dance Critic Donald Hutera and features work by women choreographers, he states “men are welcome too”
We will be performing Memoir and Duetti on Friday 15th July at 7.30pm and Memoir and True on Saturday 16th July at 7.30pm

We hope you can join us, here’s the link for details and how to book tickets

A new journey and tough rehearsals

FFIN DANCE Image Paul Trask

FFIN DANCE
Image Paul Trask

It is one thing to work the body, but when your mind is working equally hard, it becomes exhausting. All of the company seems to be feeling the strain, however the moments of joy come from dedicated repetition and embodiment. It’s such a pleasure to dance with such a dedicated group of people and that gives me great inspiration.
With new roles within the company, there is a clarity which has given birth to new life and what feels like the start of a new journey.

With just a month to go before our première at The Met, rehearsals of Duetti and True are really challenging our technical ability; unforgiving movement tearing up our feet as we push on to grasp the many tours en l’air (360 jumps) and the constant play of levels, I can’t help but feel both anticipation and excitement.

Hope you can join us for t e n Tour 2016
Natasha

Another notch on the success post

FFIN DANCE Image Paul Trask

FFIN DANCE
Image Paul Trask

So, how do you measure success?  A variety of ways I rather imagine, but in the case of our Easter Intensives and Easter Dance Faktry Festival, we like to think that it’s quality performances and happy people.

We recently spent time in the studio with 3 amazing people: Sarah Lee Pryke (professional dancer), Louis Norman (dance graduate) and Jasmine Morgan (youth dancer and trainee) as part of the Easter Intensives where our company dancers taught some of my new work True to our guests.  The end result was performed in the festival in front of a packed and appreciative house at our home theatre, The Met in Abertillery.  In addition to our professional guests, we had over 60 children and young people performing and sharing their new work which they have been rehearsing since Christmas.  I’ve said it before, and will doubtless say it many more times, it’s such a huge privilege to share in work created by these young people and to treat them to a platform where the work is staged and managed by our professional technical team.

So next up is another week in the studio with myself and the FFIN company dancers finalising our work for our new t e n Tour 2016.  If you would like to do professional company class with us, drop us a text 07854 910926 or e mail info@ffindance.co.uk

sue lewis

Happy new year

Memoir

Memoir

The company started back in the studio in February 2016 and started our new year with 2 weeks rehearsing my new work True and also re-working my 2008 piece Duetti.
It was a very odd journey going back in time to the early days of our company life as so much water has gone under the bridge since then, and the company has come so far.  We celebrate our ten years as a company this year and it seemed right somehow to bring one of my older pieces back for the season.
In addition to these two pieces, we are also presenting work that is a joint collaboration between our company dancers Catrin and Julian.  A duet called Memoir which takes the form of an autobiographical journey which promises to be funny, sad, happy, poignant, and everything else in between.  The dancers have been in the studio this week making the first steps to choreographing the work.

Here’s a little preview

Catrin and Julian are also performing with Traceworks very soon at the Swallowsfeet Dance Festival in Brighton, catch them if you can.

More details to follow with our t e n Tour 2016 we hope you’ll tune in.

sue lewis

 

 

 

t e n Tour 2016

10FFIN DANCE is ten years old this year and we celebrate with our new triple bill   t e n

In just a week, our company dancers are all back in the studio, and we can now share the content of our new triple bill line up.  We started work on my new piece True back in the Autumn of 2015, and we’ll be just finishing off this delightful quartet for the full company next week.

The second piece is a New Work, that’s a collaboration between myself and 2 of our company dancers Catrin and Julian.  Performed as a duet, it will be very much a reflection of the 2 dancers and their personalities.  Watch this space over the coming weeks for more blogs and tweets.

And to complete the bill will be Duetti, which I made for the company back in 2008.  Accompanied by the haunting songs of Björk, Duetti is as the name implies, a series of duets. Sometimes working with the songs and other times existing as 2 separate elements, the dancers execute lyrical duets.
The organic nature of the songs from Medúlla refer to the purest essence of something and explore the ritual power of the voice in a way that’s primal and elaborate. Several of the songs are sung in Icelandic, which work particularly well with movement. The rolling r’s, guttural stops and elongated vowels reflect the alternately chopped and soaring arrangements behind them.
Unfettered sensuality winds through the songs, with Björk’s voice being miked very closely giving the sense of listening to her from inside her larynx. I was originally inspired by the landscape of Northern Tuscany, when I created the duets: often jagged but occasionally silky and always stunning, the duets unfold in a seamless and intricate order, each one developing from its predecessor.
Described by an audience member at Chisenhale in 2008 – “DV8 meets Matz Ek”

As always we will be posting blogs and tweeting our studio experiences, hope that you’ll join us in our conversations.

sue lewis

New company dancer – part 2

523238_10151376905219344_497662062_nYou join me after the end of a jam-packed first week with the company. We have started working on Sue’s new work for next year’s tour, True as well as rehearsing the current triple bill, The Power of 3, for the performance at Bedwellty House & Park in Tredegar and this coming Friday in London.

As a new dancer, I have been included in Catrin’s work, d-cay and have learnt a couple of sections for these performances. From my perspective, it has been the perfect balance to learning some repertoire and jumping straight into the performance mode but to also take a back seat during the other 2 pieces and appreciate the performances of my fellow dancers. It is inspirational to see how refined and ‘in-the-body’ the existing work is on the other 3 dancers and it fills me with energy as we move on to the new work. This week also saw the first Desire to Dance project in which we created a new piece on students from Tredegar Comprehensive School in only 2 sessions to then be performed on the Friday evening. The project was a great success and it filled all members of the FFIN DANCE team with immense satisfaction to see how much was achieved by every individual in such an intense process. Well done all!

Until next time… and if you’re in the London area this Friday, don’t forget to book your tickets to see the current triple bill (The Power of 3) as well as a guest performance from Vision Youth Dance Company (Highgate School).
Venue: St Paul’s Community Centre, Marylebone. Tickets are £10, call or text 07854 910926.

See you there.
Julian

True

Weibertreue

Weibertreue

With just over a week to go, I’d like to share the thinking behind my new work for the company – True
It’s a quartet for the whole  company very loosely based on the German folk tale of Weibertreue. At Weinsberg, in Württemberg, on the summit of a hill, remain the ruins of a castle; which is also known by the name of “Weibertreue,” or “Woman’s Faith.” During the Guelph and Ghibelline wars the castle was besieged in 1140  by the Emperor Conrad III., who, in his exasperation at the protracted resistance made by the garrison, vowed to put all the men to the sword, but promised to spare the lives of the women, with the engagement, moreover, that each should be permitted to carry out along with her, her most choice treasure.  “The good women were beside themselves with sorrow that their husbands and children were to be burned alive. Therefore they took counsel with one another and decided that each woman would take her husband and children onto her back and carry them outside the city.  They did just that; each woman took her husband onto her back and her children under her arms and carried them outside the city.

Now the chronicle tells us that when the conquering lord saw this, tears came to his eyes, and he spared the lives of everyone and set the city free as well” *

It’s lovely tale of virtue and cunning.  I’ll be setting this to some exquisite Medieval dance music, which will structure the dance into episodes.  As those who know my work well, the music is the driving force behind my choreography rather than narrative, and I’m very much looking forward to getting into the studio with our 4 dancers who are all exceptional at picking up on musical form and dynamic.  However structure and form aside, there will also be humour and wit involved, making this piece come alive from the pages of history and folklore.

I hope you join us on our True journey
sue lewis

*Source: Martin Montanus, “Ein statt würt gewunnen, daraus die weyber ihre mann und kinder tragen,” Schwankbücher (1557-1566), edited by Johannes Bolte (Tübingen: Gedruckt für den literarischen Verein in Stuttgart, 1899), 80, pp. 341-42.